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Come peep the gallery show at www.metagallery.com or see the artist talk at a beautiful Anglican church in Toronto next weekend.
Meta Gallery is pleased to present Anatomy of Being, new and old works by Alex Grey. In the artists first solo exhibition with the gallery, as well as the first exhibition of his work in Canada in over 20 years, the works exhibited represent a wide spectrum of the inner and outer worlds Grey depicts through his artworks during the years spanning 1999-2009. With a career going back over 3 decades, Alex Grey’s paintings represent a bold and courageous statement in contemporary art today. One where despite the collective struggle of humanity and the tremendous amounts of suffering occurring on a daily basis, good exists. And what Grey’s artwork offers is evidence - a tangible thing we can see and touch that in its silence is a potent reminder to be good, and to love.
In Anatomy of Being, Grey’s vision, what one New York Times critic referred to as “ … of a flawed but perfectable mankind” is dynamic in its expression, both in medium and subject. In Reading, a man and his daughter sit together, reading Blake’s famous poem Tiger, Tiger. As he speaks the words of the first line, their eyes meet on one point of the page. A golden flaming figure eight connects their hearts, a reminder of the infinite love a parent shares with their child. Young and Old similarly depicts the connection shared between an infant and parent in what may be a very ordinary, yet very sacred moment. These depictions of what appear to be somewhat commonplace interactions within the collective experience gently push us towards contemplating, is it possible that perhaps every moment could share this sacred quality? Executing these works in the aesthetic style he is perhaps best known for, translucent skin revealing the precise anatomical detailing of the human biology, from inner organs to muscle structure and the lymphatic system to the bodies subtle energetic fields, Grey’s depictions of various physical and meta-physical aspects of the human form are powerful messages to consider our similarities rather than our differences, and to see ourselves reflected in others.
Grey offers other insights into more formless realms of existence with his “Being” series. Four paintings completed over a three-year period, (’05-’07) each 2 x 2 ft panel depicts the toroidal flow of energy coursing through a somewhat mysterious yet familiar anthropomorphic expression of divinity as it mediates the life/death/rebirth cycle. The surface and contours of each “Being” differ in their attunement to aspects of particular wisdom traditions. In VajraBeing, the surface of the gently flowing forms comprise concentric rectangles. Within the centre of each lies a Vajra, a symbol in Tibetan Buddhism that represents the power of wisdom to penetrate evil and destroy ignorance.
As aesthetically diverse as these works are, a simple message of hope, truth and beauty emerge as themes throughout these powerful symbols of unity and love.
Alex Grey was born in Columbus, Ohio in 1953. He attended the Columbus College of Art and Design for two years (1971-73) and after dropping out to paint billboards for a year he enrolled at the Boston Museum School for one year to study with the conceptual artist Jay Jaroslav. It was there where he met his wife and collaborator of over 25 years, Allyson Grey. Their journey together as artists has resulted in Grey’s Sacred Mirror series. 21 paintings in total, they take the viewer on a journey through the physical, metaphysical and finally transcendent realms of existence. By depicting each state, the viewer is invited to see themselves as reflections of each other, and the divine. Inspiring a sense of profound connection and wonder, the series is the crux of the vision of The Chapel of Sacred Mirrors, or CosM. A registered non profit 5013(c) organization, the Greys are dedicated to building permanent architecture inspired by the great sacred structures on earth and which would house the Sacred Mirrors as well as many of Alex’s most important works. The series was exhibited in their Chelsea, NY gallery from 2004 – 2009. They have recently moved to a 40 acre piece of land which will be the future home of CosM. In addition to his work to make his most inspired art available to the public, Grey has contributed artwork for the rock band TOOL, reaching millions with his work. His artwork over the past 30 years has been shown in many exhibitions worldwide, among them P.S.1 Contemporary Art Centre, Long Island, NY (1982) , Stux Gallery, NY, NY (1985) a mid-career retrospective at the San Diego Museum of Contemporary Art (1999), and Feature Inc, NY, NY (2001)
Anatomy of Being will be on view from June 26 to September 4, 2009. Gallery hours are Tuesday – Saturday from 11-6 and Sunday from 12-5. The opening reception will be on Friday June 26 from 7-10pm. Artist in attendence. Alex will also be giving a talk on his art and life on Saturday June 27, 2009. For more info please contact mk@metagallery.com
For additional information or to be put on the preview list for this exhibition please contact Jody Polishchuk at 416.955.0500 or jp@metagallery.com
www.metagallery.com
Meta Gallery is pleased to present Anatomy of Being, new and old works by Alex Grey. In the artists first solo exhibition with the gallery, as well as the first exhibition of his work in Canada in over 20 years, the works exhibited represent a wide spectrum of the inner and outer worlds Grey depicts through his artworks during the years spanning 1999-2009. With a career going back over 3 decades, Alex Grey’s paintings represent a bold and courageous statement in contemporary art today. One where despite the collective struggle of humanity and the tremendous amounts of suffering occurring on a daily basis, good exists. And what Grey’s artwork offers is evidence - a tangible thing we can see and touch that in its silence is a potent reminder to be good, and to love.
In Anatomy of Being, Grey’s vision, what one New York Times critic referred to as “ … of a flawed but perfectable mankind” is dynamic in its expression, both in medium and subject. In Reading, a man and his daughter sit together, reading Blake’s famous poem Tiger, Tiger. As he speaks the words of the first line, their eyes meet on one point of the page. A golden flaming figure eight connects their hearts, a reminder of the infinite love a parent shares with their child. Young and Old similarly depicts the connection shared between an infant and parent in what may be a very ordinary, yet very sacred moment. These depictions of what appear to be somewhat commonplace interactions within the collective experience gently push us towards contemplating, is it possible that perhaps every moment could share this sacred quality? Executing these works in the aesthetic style he is perhaps best known for, translucent skin revealing the precise anatomical detailing of the human biology, from inner organs to muscle structure and the lymphatic system to the bodies subtle energetic fields, Grey’s depictions of various physical and meta-physical aspects of the human form are powerful messages to consider our similarities rather than our differences, and to see ourselves reflected in others.
Grey offers other insights into more formless realms of existence with his “Being” series. Four paintings completed over a three-year period, (’05-’07) each 2 x 2 ft panel depicts the toroidal flow of energy coursing through a somewhat mysterious yet familiar anthropomorphic expression of divinity as it mediates the life/death/rebirth cycle. The surface and contours of each “Being” differ in their attunement to aspects of particular wisdom traditions. In VajraBeing, the surface of the gently flowing forms comprise concentric rectangles. Within the centre of each lies a Vajra, a symbol in Tibetan Buddhism that represents the power of wisdom to penetrate evil and destroy ignorance.
As aesthetically diverse as these works are, a simple message of hope, truth and beauty emerge as themes throughout these powerful symbols of unity and love.
Alex Grey was born in Columbus, Ohio in 1953. He attended the Columbus College of Art and Design for two years (1971-73) and after dropping out to paint billboards for a year he enrolled at the Boston Museum School for one year to study with the conceptual artist Jay Jaroslav. It was there where he met his wife and collaborator of over 25 years, Allyson Grey. Their journey together as artists has resulted in Grey’s Sacred Mirror series. 21 paintings in total, they take the viewer on a journey through the physical, metaphysical and finally transcendent realms of existence. By depicting each state, the viewer is invited to see themselves as reflections of each other, and the divine. Inspiring a sense of profound connection and wonder, the series is the crux of the vision of The Chapel of Sacred Mirrors, or CosM. A registered non profit 5013(c) organization, the Greys are dedicated to building permanent architecture inspired by the great sacred structures on earth and which would house the Sacred Mirrors as well as many of Alex’s most important works. The series was exhibited in their Chelsea, NY gallery from 2004 – 2009. They have recently moved to a 40 acre piece of land which will be the future home of CosM. In addition to his work to make his most inspired art available to the public, Grey has contributed artwork for the rock band TOOL, reaching millions with his work. His artwork over the past 30 years has been shown in many exhibitions worldwide, among them P.S.1 Contemporary Art Centre, Long Island, NY (1982) , Stux Gallery, NY, NY (1985) a mid-career retrospective at the San Diego Museum of Contemporary Art (1999), and Feature Inc, NY, NY (2001)
Anatomy of Being will be on view from June 26 to September 4, 2009. Gallery hours are Tuesday – Saturday from 11-6 and Sunday from 12-5. The opening reception will be on Friday June 26 from 7-10pm. Artist in attendence. Alex will also be giving a talk on his art and life on Saturday June 27, 2009. For more info please contact mk@metagallery.com
For additional information or to be put on the preview list for this exhibition please contact Jody Polishchuk at 416.955.0500 or jp@metagallery.com
www.metagallery.com
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